The End.
An oil tycoon (Michael Shannon), art curator (Tilda Swinton), and their son (George MacKay) are separated from the apocalyptic horrors outside, spending their time in a bunker writing books, arranging flowers, and eating lots of cake. But the facade steadily slips away after a young survivor (Moses Ingram) enters their home.
Filled with dark humor and even darker revelations, the film also happens to be an uplifting musical, but those two sides never gel in a satisfying way. Instead, it ends up feeling bloated and, even worse, doesn’t have memorable songs.
You Might Also Like
Anora director Sean Baker interview: write the ending first
Sean Baker’s film Anora won the Palme d’Or at this year’s Cannes Film Festival — the latest in the director’s...
Anthropic’s CEO thinks AI will lead to a utopia — he just needs $7 billion first
If you want to raise ungodly amounts of money, you better have some godly reasons.That’s what Anthropic CEO Dario Amodei...
SpaceX’s Starship test completes with a remarkable ‘chopstick’ booster catch
SpaceX’s Starship spacecraft splashed down in the Indian Ocean a little over an hour after its 8:25AM ET launch from...
The 5 best Garmin watches for training and everyday life
Few brands are as synonymous with outdoor sports as Garmin. You’ll find these fitness trackers and smartwatches on dozens of...